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This is Luci. She is a solar light that I invented. And it wouldn't take much to flip the balance. The great sci-fi author Isaac Asimov was among the first to recognize this unsettling risk.
In his short story "Runaround," later republished in the collection "I, Robot," Asimov set forth what he called the Three Laws of Robotics, which were designed to protect us from our synthetic progeny.
First: A robot may not injure a human being, or allow one to come to harm through inaction. Second: A robot must obey human orders, as long as they don't contradict the first law.
Third: A robot must protect itself, but only to the extent that it doesn't conflict with the first and second laws [source: Asimov ].
But in many instances in our fantasy future, those rules are honored mostly in the breach. Here are 10 examples of fictional robots that have murder in their artificial hearts.
In , Czech playwright Karel Capek basically invented the "kill all humans! In his play, "Rossum's Universal Robots R. The robots -- from robata , the Czech word for forced labor or servitude -- originally are used as factory workers who tirelessly perform grueling work and don't have to be paid.
But pretty soon, nations are amassing armies of robots, whose unquestioning obedience and lack of sentiment or morals makes them highly-efficient, ruthless super-soldiers willing to slaughter anyone who gets in their way.
Teaching robots to kill, of course, turns out not to be the most brilliant idea ever conceived by humankind, but what really starts things headed downhill is when a misguided do-gooder social activist named Helena Glory decided that the robots are being cruelly oppressed, and convinces a scientist to modify them so that they have the emotional intelligence to perceive their plight.
Pretty soon, a robotic version of Ernesto "Che" Guevara is exhorting the robot masses to overthrow their meat-body overlords. In the ensuing revolution, almost the entire human race is wiped out, save for a lone soul named Alquist, who is spared because he actually still performs labor.
But the robots' victory proves to be a pyrrhic one, because humans manage to destroy the manufacturing process for robots before they are wiped out, and the robots can't figure out how to replicate it.
The robots themselves begin to die out, until two of them develop the ability to love one another, and Alquist modifies the female robot so that she can reproduce the old-fashioned way [source: Angelo ].
Director James Cameron's movie "The Terminator," starring Arnold Schwarzenegger as a cyborg assassin, was such a hit that it inspired several sequels.
Schwarznegger's freakishly hypertrophied physique and unwavering lack of emotional affect make him utterly believable as a killing machine, and his line "I'll be back," uttered at a police station that he subsequently returns to destroy has become a pop culture catchphrase.
But what's equally compelling about the "Terminator" fictional universe is its updated version of Capek's basic theme, which is that humans are so darned clever that they'll inevitably invent a machine that will destroy them.
In the "Terminator" movies, the murderous machine is Skynet, a supercomputer network with artificial intelligence abilities, which Pentagon scientists in the mids create to run the nation's defenses.
When Skynet, on its own, develops self-awareness, its makers try to shut it down, which leads the network to trigger a nuclear war in an effort to wipe out the species that it now sees as a threat.
After the dust clears, Skynet creates an assortment of other robotic devices, including the Terminators, to hunt down and slaughter the remaining humans who stand in the way of its global supremacy.
Skynet is so relentless that in the first film, it sends a robot portrayed by Schwarzenegger back in time in a fruitless effort to assassinate Sarah Connor, the mother of a future human rebel leader John Connor.
In the sequel "Terminator 2: Judgment Day," Skynet tries again, this time sending a more advanced Terminator with shape-shifting capabilities to kill the teenage version of John Connor [source: Westfahl ].
One eerie thing about the "Terminator" saga is that it parallels the actual predictions of artificial intelligence visionary Ray Kurzweil, who says that in the next 50 years, machine intelligence will equal and then start to surpass human brainpower [source: Tucker ].
In the sci-fi classic "The Day the Earth Stood Still," remade in with Keanu Reeves in the lead role , the intimidating robot comes from another world, not ours.
But in way, humans are still responsible for its threat. A crisis begins when a flying saucer lands in Washington, D. He's promptly shot by a trigger-happy human soldier.
That sends Klaatu's robotic assistant, Gort, into action. You don't want to mess with Gort, and not just because he's a silvery behemoth so imposing that he makes Shaquille O'Neil look like Mini Me from the "Austin Powers" movies.
Gort wears a visor equipped with a disintegrating ray gun capable of turning the armaments wielded by puny humans into wisps of vapor.
We bone-bags are pretty much helpless against him, and that's the whole point. At the climax of the movie, soldiers again attack Klaatu and apparently kill him, only to see him revived by Gort's mysterious, vaguely defined powers.
But Gort, probably the most recognizable sci-fi robot after the Terminator, is more of a deterrent killer robot than an evil one -- at the end of movie, the aliens inform Earth that he and other killer robots are being left in place around Earth to deter human aggressiveness, and that if we try to extend our murderous ways into space, they're empowered to wipe out humanity.
As sci-fi historians Michelle Le Blanc and Colin Odell write, "This paradox is one of many that typify the film -- the threat of unimaginable violence as a means to prevent war" [source: Westfahl ].
In the fictional dystopia depicted in the "Matrix" trilogy of films directed by the Wachowskis in the late s and early s, the basic scenario is that reality is a computer-generated illusion , and that a giant artificial-intelligence network has taken over Earth and reduced humans to comatose husks deluded by data, who are kept alive only to provide body heat and electrical energy that can be siphoned off to power the network.
Not all humans are down with that, however, and a motley assortment of meat-body rebels -- including a superhuman savior-prodigy named Neo, portrayed by Keanu Reeves -- persist in doing battle with the Matrix and its robotic minions [source: Greenwood ].
Perhaps the scariest of the latter are the Sentinels -- giant cephalopod-like automatons -- who are sent down into the sewers and underground passageways of long-dead human cities to stalk human rebels and destroy them.
In one of the more intriguing life-imitates-art twists in technology, a Glasgow, Scotland-based company named Breval in unveiled an actual robot modeled after the Sentinels.
Breval's Wizard robot , however, is much smaller than the Sentinels, and equipped with eight wheels rather than metal feelers.
More importantly, its mission is to clear ventilation ducts of bacteria and other contaminants, not humans [source: Christensen ].
Science fiction author Philip K. Dick was a master of the killer robot genre, partly because he imagined a future in which technology would become so advanced that the distinction between humans and machines would blur.